The version that wanted to be written
Writing the Nazi past as historiographic metafiction
Using the perpetrator/victim dichotomy around which much of the debate crystallised, this book seeks to answer this question via a close textual analysis of works by Bernhard Schlink, Ulla Hahn, Tanja Dückers, and Marcel Beyer. In particular, this book analyses these novels as historiographic metafiction, a significantly under-explored angle which raises important questions concerning our ability to know the “truth” about the past and destabilises the basis on which we judge guilt or innocence. In providing a deeper understanding of the approach of fiction authors to the Nazi past in the post-1990 period, this book aims to enrich our understanding of its legacy in contemporary German society today.
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